An Architect’s Sources
by John P. Haigh, appearing in Volume 40
Thomas Gordon Smith’s personal sketchbooks run into the thousands of pages.
by John P. Haigh, appearing in Volume 40
Thomas Gordon Smith’s personal sketchbooks run into the thousands of pages.
by Lothar Haselberger, appearing in Volume 40
The Pantheon, as we know (or don’t know) it, has been the object of puzzlement for several centuries.
by Joseph Connors, appearing in Volume 40
A piazza on the Corso Vittorio Emanuele II, the busy modern thoroughfare that swerves through the Campus Martius on its way to the Vatican, allows a generous view of the “twin” façades of the oratory and the church.
by John Beldon Scott, appearing in Volume 40
Early modern commentators and theologians understood the relic known today as the Shroud of Turin as a witness of Christ’s Passion and a material proof of his suffering and resurrection.
by Duncan G. Stroik and John Burgee, appearing in Volume 40
Duncan Stroik sat down with John Burgee to discuss the life and legacy of a great colleague and friend, Thomas Gordon Smith, who passed away in June of 2021.
by Duncan G. Stroik, appearing in Volume 40
He did something no one else has done. He founded a classical school of architecture in the modern age.
by Duncan G. Stroik, appearing in Volume 39
What dictators throughout history have used force to do, we have done willingly.
by Eugene Johnson, appearing in Volume 39
Leon Battista Alberti made the pagan architecture of Greece and Rome safe for Christian churches.
by Jack Freiberg, appearing in Volume 39
The first fully articulated expression of the Renaissance mastery of classical architecture, Bramante’s Tempietto, was created to honor the place where pious tradition located Saint Peter’s crucifixion in Rome.
by James Hankins, appearing in Volume 39
"Christian humanism” seems an oxymoron.
by Duncan G. Stroik, appearing in Volume 39
The Church faces more violent secular iconoclasts.
by Duncan G. Stroik, appearing in Volume 24
A priest once told me that the best place to teach students the faith is in a church.
by Duncan G. Stroik, appearing in Volume 20
Venice has a problem.
by Holy Transfiguration Skete, appearing in Volume 11
The Roman basilica, exemplified by Constantine’s fourth-century Church of the Resurrection in Jerusalem and by the many other monumental churches he had erected throughout the Roman world, remained the standard of church architecture in the West for more than a thousand years.
by Duncan G. Stroik, appearing in Volume 38
The Romans called it damnatio memoriae. When we deface or destroy an image of a leader, we reject his rule as illegitimate and call for the ending of his memory.
by Helen Hills, appearing in Volume 38
Gabriele Zarri formulated the term recinti sacri or “sacred enclosures” to describe how convents represented sacred spaces that assumed a decidedly female character.
by Simone Zurawski, appearing in Volume 38
Much thought—including many articles in the special Notre-Dame issue of Sacred Architecture—went into the complexities of rebuilding the collapsed Medieval roof of the Cathedral of Notre-Dame and replacing the nineteenth-century wooden spire (flèche) of Eugène-Emmanuel Viollet-le-Duc.
by Duncan G. Stroik, appearing in Volume 38
When some of us think of architecture for the poor, we think of the Los Angeles Cathedral.
by Dom Benedict Nivakoff, O.S.B., appearing in Volume 38
In 2016, three earthquakes scattered over three months shattered the town of Amatrice in central Italy, killing 300 people, and continued its devastation through the towns of Umbria, bringing down houses, schools, shops, and churches.
by David Mills, appearing in Volume 38
The Church is people, true. We can get by if we have to with Mass any old place. But the Church requires churches.
by Duncan G. Stroik, appearing in Volume 37
Prayers for deliverance are made. Heroic priests visit the sick and dying, and heroic medical personnel serve them. It is a time for the works of mercy. It is also a time for cornerstones.
by Jelena Bogdanović, appearing in Volume 37
The famous sixth-century Constantinopolitan cathedral of Hagia Sophia epitomized the might of the Byzantine Empire.
by Anthony E. Clark, appearing in Volume 37
While Beijing is a city of traditional Chinese architecture, identified by its emphasis on horizontality and sloped roofs, Shanghai is a city of Western modernity, marked by bright neon lights that illuminate the heights of soaring skyscrapers and monumental Neoclassical banks.
by Terrence Ehrman, C.S.C., appearing in Volume 37
The unicorn represents “our Lord’s Incarnation and sinless life”—a symbol of Jesus Christ and of purity. How did the unicorn come to be associated with Christ and purity?
by Paige Hochschild, appearing in Volume 37
According to the last few pontificates, the most pressing questions of culture and doctrine are properly about the human person.
by Kyle Dugdale, appearing in Volume 37
Munich Airport Terminal Two was voted the world’s best terminal, not so long ago, by a global survey of fourteen million travelers.
by Jean Duchesne, appearing in Volume 36
Early in 2019 the spire of the Paris cathedral had disappeared under scaffolding as it was undergoing restoration.
by Steven W. Semes, appearing in Volume 36
After Notre-Dame burned, most non-specialists assumed that a monument of its importance would be restored to its former state.
by Peter Pennoyer, appearing in Volume 36
The catastrophic fire that damaged Notre-Dame in April was not the first event that afflicted the great cathedral.
by Leon Krier, appearing in Volume 36
Reconstruction according to a divine masterplan is the key to life.
by Daniel P. DeGreve, appearing in Volume 36
Set against the evening sky, the fiery plunge of the copper rooster that had crowned the lead-encrusted flèche of Notre-Dame de Paris seemed to herald a dreadful nightfall for the cathedral church, which for centuries has endured weathering, cataclysm, violence, and caprice.
by Witold Rybczynski, appearing in Volume 36
In 1681, the great Christopher Wren was called upon to add a bell tower (today known as Tom Tower) to the unfinished gatehouse of the Great Quadrangle of Christ Church in Oxford.
by C. J. Howard, appearing in Volume 36
Imagine a re-enacted processional route to escort Jesus’s crown of thorns from Sainte-Chappelle, commissioned by Saint Louis IX King of France, to its new home in Paris’s Catholic cathedral a few blocks away.
by Abbé Eric Iborra, appearing in Volume 36
Seen from the sky the contrast was striking: an immense plume of smoke rising to dizzying heights from the city’s glowing heart, while the metropolis was bathed in a soft evening light.
by Duncan G. Stroik, appearing in Volume 35
The French people have a lot of experience in rebuilding churches.
by Alphonso L. Pinto, appearing in Volume 35
Built right after the Council of Trent, the Church of the Gesù (1568) stands in the heart of Rome on what seems to be an island flanked by streams of busy streets.
by Rev. Dr. Matthew Niermann, appearing in Volume 35
Over the past several decades Evangelical Protestant churches have sought to build buildings that differ from traditional church architecture in order to attract unchurched individuals to the church.
by David Mills, appearing in Volume 35
It may have been partly the bright light, I admit, after all those crepuscular chapels.
by Virginia Raguin, appearing in Volume 35
Renaissance art was essentially public art, even as it was commissioned by single individuals and religious and civic organizations.
by Anthony Esolen, appearing in Volume 34
The men who built the cathedral of Our Lady of Chartres did not have diesel engines, or lightweight metals like soft aluminum or firm titanium, or steel girders. The men who built Europe’s greatest Gothic church did not have cranes that could tower a hundred feet in the air without toppling, while lifting pre-formed blocks of concrete. They did not have computer models. They did not have the calculus. Most of them assuredly could not read.
by Anthony E. Clark, appearing in Volume 34
When we build,” John Ruskin famously remarked in The Lamp of Memory, “let it not be for present delights nor for present use alone. Let it be such work as our descendants will thank us for, and let us think ... that men will say, as they look upon the labor and the wrought substance of them, ‘See! This our fathers did for us!’” The Roman Catholic Archdiocese of Beijing is undertaking a substantial restoration and renovation of its most famous church, the Xishiku North Cathedral, in a way that would have contented Ruskin’s sensibilities.
by Marcus van der Meulen, appearing in Volume 34
Most of Warsaw’s historic places of worship are post-war renovations, and several are even reconstructions. The reconstruction of Warsaw, once described by the historian Robert Harbison as the “largest war memorial,” is the most comprehensive attempt to rebuild a past reality. The reconstruction of churches was an essential part of it.
by The Rt Hon John Hayes, appearing in Volume 34
Truth is an absolute. And beauty the means by which it is revealed to us in its most comprehensible form. In John Keats’ words: “Beauty is truth, truth beauty—that is all / Ye know on earth, and all ye need to know.” Through our connection with beauty, we enjoy a taste of the sublime and both an escape from and a compensation for the inevitable pains and trials of daily life.
by Kalinda Gathinji, appearing in Volume 34
My experience of Kenyan sacred architecture left me hoping to encounter more of the rich, vibrant colors of the culture: the patterns and textures of its textiles, the delicacy of its bead work, and the character of its sculptures revealed, celebrated, and translated into the sacred architecture. What I found instead was that many of the churches are of an austere, minimalist aesthetic which hardly evokes the sacred nature of the space and the vibrancy of Kenyan culture.
by Michael Ward, appearing in Volume 33
Most people would struggle to identify the church in Rome dedicated to Saint Mary and the Martyrs. But refer to it as “the Pantheon,” the home of all the gods, and everyone would immediately know what you are talking about.
by James Wetzstein, appearing in Volume 33
The architectural implications of the Augsburg Confession were probably not top-of-mind for those who signed it in 1530.
by Giles Dimock, appearing in Volume 33
On a lovely October afternoon I rode with William Burleigh to the Pontifical College Josephinum, he for the meeting of the board of trustees, and I to see the newly renovated and rededicated chapel of Saint Turibius.
by Craig Hamilton, appearing in Volume 33
Sir Giles Gilbert Scott’s magnificent Liverpool Cathedral commenced construction in 1904, shortly after his initial design, prepared at the age of twenty-two, had won a now-famous competition, and was finally completed seventy-four years later in 1978.
by George Rutler, appearing in Volume 33
In the late 1990s, I watched the rebuilding of the Cathedral of Christ the Savior in Moscow, replicating the nineteenth-century cathedral that had been dynamited by Stalin in 1931.
by Joel Pidel, appearing in Volume 32
Can anything good come out of Nazareth? While the historical and spiritual answer to this question is so well known as to make the asking tongue-in-cheek, the question has remained one of continual renewal and response for a certain property on the outskirts of the city of Raleigh, North Carolina.