Dedicated to the memory of Michele Piccirillo, O.F.M., a priest and friar who committed his life to archaeological research, this compilation includes studies ranging from wall paintings in the Abbey of Saint Mary in the Kidron Valley of Jerusalem (Crusader period), to the architectural reconstruction of the Church of Bishop John at Khirbet Barqa (Byzantine period), map mosaics depicting sailing in the Dead Sea (Byzantine period), and inscriptions in Elijah’s Cave on Mount Carmel (ninth century BC through the twentieth century AD).
Thomas D. Stroka
Thomas D. Stroka is an architectural designer in Indiana.
Articles by Thomas D. Stroka
The “threshold” of the sanctuary has been called the chancel barrier, templon, choir screen, lettner, jubé, rood screen, iconostasis, and tramezzo. Thresholds of the Sacred, a compilation of papers dating to the 2003 Dumbarton Oaks Byzantine Studies Symposium, remains a crucial reference for the development and the application of these sacred barriers in church architecture.
Architectural historians might easily overlook the Emerald Isle as a source of classical innovation, especially during a century scourged by the Great Potato Famine and mass emigration.
Unlike any other building, a church is “an accessible public space amid an increasingly, and occasionally frighteningly commercial and privatized world…”