Book Reviews
Picturing the Celestial City: The Medieval Stained Glass of Beauvais Cathedral
This is a richly researched and beautifully produced book, welcome among the studies on Beauvais…
Catholic Church Architecture and the Spirit of the Liturgy
For those who have borne witness to the architectural and liturgical vandalism that has occurred over the last half century, there will be comfort in this groundbreaking work…
Stone and Glass: The Meaning of the Cathedral of Saint Paul
Excepting scholarly articles and occasional references in monographic studies of Cass Gilbert, texts addressing the architecture of Minnesota classicist Emmanuel Masqueray are typically hard to come by…
America’s First Cathedral
In America’s First Cathedral, Mary-Cabrini Durkin presents a beautifully illustrated history of the Baltimore diocese’s cathedral from Latrobe’s original designs through its rise as a national symbol of American Catholicism, culminating in years of restoration that have only recently been completed.
Contemporary Church Architecture
Unlike any other building, a church is “an accessible public space amid an increasingly, and occasionally frighteningly commercial and privatized world...”
The Beauty of Holiness: Angicanism and Architecture in Colonial South Carolina
This book sparkles with erudition and clarity worthy of its title…
The Art of the Sublime: Principles of Christian Art and Architecture
The author of this book, Roger Homan, is professor of religious studies at the University of Brighton in England. For Anglophiles the slim volume will prove to be an absolute treat, for Professor Homan casts new light on English figures and subject matter seldom treated in general surveys of Christian art and architecture. This is done, however, at the expense of omitting major figures and monuments from the modern movement on the Continent and in America, thus rendering the book either extremely chauvinistic or the right book with the wrong title.
Churches for the Southwest: The Ecclesiastical Architecture of John Gaw Meem
John Gaw Meem, while relatively unknown outside New Mexico, is regarded among New Mexicans as their most significant interpreter of regional forces in architecture. Lehmberg’s book, the first to focus on the architect’s ecclesiastical designs, provides a careful account of Meem’s engagement with church commissions from about 1920 until his last church design in 1949. Meem began his career not by designing, but by restoring churches, especially very venerable ones—such as the San Estevan del Rey Mission, the only surviving church built prior to the Pueblo Revolt of 1680, and Saint Francis Cathedral of Santa Fe, erected by Bishop Lamy in the 1860s. It is likely that this early involvement in restoration set Meem’s approach to both sacred and secular architecture throughout his career.
Temples for Protestants
In 1955, Per Gustaf Hamberg published in Swedish his Temples for Protestants, an extraordinarily well-researched, nuanced study of the early (sixteenth- and seventeenth-century) Reformed and Lutheran Churches of Northern Europe and Scandinavia. Now, finally, this illuminating and useful book is available in English. As a scholar of early American Protestant architecture, I found myself wishing I had had access to this book years ago. It contains numerous, thorough descriptions of churches and fascinating discussions of important relevant primary texts of the period, many of which are unavailable in English. The translation is fluid, despite minor inaccuracies. Lengthy quotes in Latin, German, French, and Italian are not translated, which is a bit frustrating for the provincial. Nonetheless, this is a necessary book for anyone interested in the religious architecture of this period and its influence on later buildings.
From Meetinghouse to Megachurch: A Material and Cultural History
Do the increasingly ubiquitous evangelical megachurches that dot the national landscape represent something new in either Protestant architecture or American culture? In their book, From Meetinghouse to Megachurch: A Material and Cultural History, authors Anne C. Loveland and Otis B. Wheeler respond to this question with an emphatic “No.” Rather than representing something new, Loveland and Wheeler contend that evangelical megachurches are part of an ongoing evolution whose antecedents include Puritan meetinghouses, revival tents, tabernacles, and mainline Protestant churches. A sense of continuity that persists even as American church architecture changes is the book’s major theme.
Painterly Perspective and Piety
The discovery, or rediscovery, of linear perspective in the Italian Renaissance is usually credited to Filippo Brunelleschi, the architect of the dome of the Florence Cathedral. Another nearby monument that may be the first existing example of one-point perspective is the funerary chapel in Santa Maria Novella painted by Masaccio in 1428. In a complex and theologically rich explication of Masaccio’s Holy Trinity, with the Virgin, Saint John and Donors, John Moffitt argues that the point to which all of the lines converge is placed at the bottom of the picture in order to correspond with the elevation of the host during Mass. Thus God the Father stands on an altar and presents his crucified Son to the viewer within a perspectival architecture that converges on the Eucharist. The consecrated host becomes the liturgical focal point of the chapel and of the painting.
The Architecture of Ralph Adams Cram and His Office
The historian and the artist bring different questions to a figure like Ralph Adams Cram. The historian wants to understand what social and cultural forces compelled a modern businessman-architect, practicing in the twentieth century, to make buildings in the style of the fourteenth; the artist merely wants to know if they are any good. Do his buildings live—live in the artistic sense—or are they merely clever writing in a dead language, like someone writing Latin verse today? If the answer is that his buildings do not live, then there is hardly any point in trying to answer the first question.
Rejoice! 700 Years of Art for the Papal Jubilee
REJOICE! is a very dumb title for a very smart book. The Rizzoli publication, which is a compilation of twentyfour essays by a variety of Italian scholars, looks at 700 years of papal artistic patronage for the Jubilee Years that brought pilgrims from around the world to Rome. The superbly illustrated coffee-table book covers both art and architecture.
The Renovation Manipulation: The Church Counter-Renovation Handbook
Taking to heart the final words of the current Code of Canon Law, that “the salvation of souls, which in the Church must always be the supreme law,” the recent book by Michael S. Rose gives clarity and advice to the troubled soul experiencing a church renovation project. The Renovation Manipulation: The Church Counter-Renovation Handbook attempts, in the words of its author, to “give the average lay Catholic a clear understanding of the renovation process and ultimately the knowledge necessary to bring about honesty and integrity in the renovation of existing churches as well as in the construction of new ones” (p.6).
The Altars and Altarpieces of New St. Peter’s, Outfitting the Basilica, 1621-1666
Following completion of construction in the 1620s, and reaching a peak in the first half of the 1630s, a dazzling array of artists worked side by side creating a series of some twenty-four works of art, primarily altarpieces, which, in their programmatic relationship to one another and to the hagiographic traditions of the Church, proclaimed the complex identity of the Papacy and the liturgical mission of “the cathedral of the world.”
Art and Crusade in the Age of St. Louis
Art and Crusade in the Age of Saint Louis treats two significant objects of royal patronage: the Arsenal Old Testament, a lavish illuminated manuscript the king commissioned while on Crusade in the Holy Land, and the Sainte-Chapelle. The author’s contention is that both works are kinds of political and religious propaganda meant to justify the ideal of the Crusade.
Reconquering Sacred Space
Notre-Dame, Cathedral of Amiens: The Power of Change in Gothic
Notre-Dame of Amiens (1220-ca. 1269) is the largest in area of the French Gothic cathedrals and second to St. Pierre of Beauvais in height. Praised poetically by Ruskin and beloved of pilgrims and touists, it has nevertheless been seen by art historians as a copy of Chartres or a poor- man’s Reims
The Beauty of Holiness and the Holiness of Beauty: Art, Sanctity & the Truth of Catholicism
John Saward’s graceful and insightful book was developed from the Bernard Gilpin Lectures which he delivered at the University of Durham in 1996. The “theological meditations,” and this is the phrase Saward correctly uses to describe his prose, “lead us to understand what beauty is, and how it can be recognized in works of art and holy lives
America’s Church: The Basilica of the National Shrine of the Immaculate Conception
At first glance, Gregory W. Tucker’s America’s Church: The Basilica of the National Shrine of the Immaculate Conception might seem to be yet another attractive religious shrine commemorative volume destined to take its place in that inexorably horizontal, closed position where picture book meets coffee table. But both the National Shrine and Tucker’s volume, which lovingly recounts its history, are indeed well worth our more sustained attention.
Sir Ninian Comper: An Introduction to His Life and Work, with Complete Gazetteer
Redeeming Beauty: Soundings in Sacral Aesthetics
Readers of this journal, passionate about the ability of architecture to “speak” the glory of God, have every reason to rejoice at this new publication by Aidan Nichols, O.
From Abyssinian to Zion: A Guide to Manhattan’s Houses of Worship
David W. Dunlap’s From Abyssinian to Zion: A Guide to Manhattan’s Houses of Worship taps into a very elemental part of my New York—its oft-neglected churches, synagogues, and temples
A Glimpse of Heaven: Catholic Churches of England and Wales
Christopher Martin’s A Glimpse of Heaven is a spectacularly illustrated gazetteer of over one hundred Catholic churches in England and Wales, photographed in color by Alex Ramsey
Paolo Veronese: Piety and Display in an Age of Religious Reform
Artists, like pedigree dogs, go in and out of fashion.
American Sanctuary; Understanding Sacred Spaces
This series of essays, edited by Louis Nelson, examines how people have interpreted the idea of the sacred in American history.
Temples … worthy of His presence
It seems only too seldom that people of high ideals make much of an impact on the general populace, let alone realize those ideals. This was not the case with regard to Augustus Welby Northmore Pugin and the Cambridge Camden Society.
Ecclesia: Greek Orthodox Churches of The Chicago Metropolis
Nature certainly has had its infulence on the art and architecture of Chicago, but in Ecclesia Panos Fiorentinos shows the resilience and dedication of man, despite the hardships and ravages of nature and the Chicago urban landscape, in forming the Greek Orthodox Metropolis of Chicago.
Signorelli and Fra Angelico at Orvieto: Liturgy, Poetry, and a Vision of the End-time
Few scenes are more compelling in Renaissance art than depictions of the Apocalypse and Last Judgment. But before Michelangelo, two artists embarked upon a program depicting the End of Time for the Cathedral of Orvieto.
